vintage cherry dresser 19TH C ANTIQUE KENTUCKY CHERRY HEPPLEWHITE DRESSER / TALL CHEST ~ SOUTHERN  US
SKU: 35246664778
vintage cherry dresser

vintage cherry dresser 19TH C ANTIQUE KENTUCKY CHERRY HEPPLEWHITE DRESSER / TALL CHEST ~ SOUTHERN US

Sale price$20.93 Regular price$23.26
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Description

vintage cherry dresser 19TH C ANTIQUE KENTUCKY CHERRY HEPPLEWHITE DRESSER / TALL CHEST ~ SOUTHERN US19TH CENTURY ANTIQUE KENTUCKY HEPPLEWHITE CHERRY DRESSER CHEST OF DRAWERS CA 1810 Thank you for shopping with Bay Colony Antiques. We're a third generation family owned business furnishing homes all over the world. We aggressively pursue important antiques, decorative arts, and objects of interest for our most discerning clients. With our highest compliments and honors were extremely proud to offer for sale this fantastic early 19th Century antique

19TH CENTURY ANTIQUE KENTUCKY HEPPLEWHITE CHERRY DRESSER / CHEST OF DRAWERS CA 1810

Thank you for shopping with Bay Colony Antiques. We're a third generation family owned business furnishing homes all over the world. We aggressively pursue important antiques, decorative arts, and objects of interest for our most discerning clients.

With our highest compliments and honors were extremely proud to offer for sale this fantastic early 19th Century antique Kentucky cherry Hepplewhite dresser. We’re one of the oldest family owned antique practices in New England and have had the pleasure of handling some amazing top tier southern furniture. The chest is crafted from a native figured cherry with the best cuts reserved for the drawer faces. The chest exhibits a desirable split drawer format over 5 full length graduated drawers. Each drawer actuated with ease and is constructed with hand cut dovetails and hand chamfered bottoms. The chest has dovetailed transitions and nice slightly flared French feet. This was clearly crafted by a top tier southern cabinet maker who likely had a long tenure in a busier eastern city and was familiar with novel cabinet making styles. Kentucky became the 15th US state in 1792 and mainly consisted of citizens of Virginia that moved west. Figured Cherry was a favorite among Kentucky cabinet makers as it was prevalent in the area and imported woods like mahogany wouldn’t often make it that far past major port cities. We'll be hard pressed to find another Kentucky chest on this tier. We purchased this along with a KY sugar chest that sold within a few hours of offering it for sale. The chest exhibits a nice scale measuring 44" wide x 18 3/4" deep x 53" tall.

WELCOME

We are a wholly owned family business in our third decade of continuous operation. We have a large inventory of fine antiques ranging from Early American, Federal, Chippendale, Empire, Centennial, Victorian, 20th Century custom mahogany, Art Deco and Mid-Century Modern antique furniture along with decorative arts from across the globe. All the items we offer to the general public are high quality estate pieces. We do not offer goods with significant flaws or defects. We completely avoid items with issues. You can expect the items we sell to have reasonable wear and tear. Due to the large volume of goods we deal in we cannot describe items in minutia. We do our best to give you an accurate condition report in our description of the items. We have expert woodworkers and re-finishers on staff to service any piece of furniture we offer. We represent all merchandise in absolute good faith and to the very best of our ability. Please ask all questions, including, but not limited to, shipping costs prior to purchase. All items are sold as is and from their location. If you would like to find out about any number of our services, including appraisals and restoration, please ask us about our website for more information.

SHIPPING & DELIVERIES


We deliver within a 250 mile range of zip code 01105 for a low cost flat rate. We specialize in New York City and Boston deliveries at extremely reasonable rates. For items requiring shipping beyond our delivery zone, we offer freight or “Ground Services” shipping, depending on the size of the items. We ship anywhere within the Continental United States. Items will require packaging and palletizing for freight shipments. The buyer is responsible for the cost of materials only for this service. We perform this service without the cost of labor as an appreciation for your patronage. Freight class shipping is the fastest and most cost effective method of shipping large items. We can reach anywhere in America with a large shipment within 7-10 business days. We buy materials in bulk to save you excessive costs. The materials required for proper crating of items for their safe transit is so specialized we may need up to 7-10 business days to make sure we get absolutely what is required & do the best job possible. We go the extra mile by designing premium customized furniture crates for the ultimate protection of your purchase. We ship from our facility with a loading dock on a major trucking artery. This and our “volume shippers” discount creates a substantial lower cost for you. The least expensive method of shipping is business to business with loading docks. Next is a business without a dock and the last option is shipping to a resident. We are sending your shipments with freight carriers. They are not furniture movers who bring the items into your home. You are provided with curbside delivery of your shipments. We can get you special services in certain cases, but you are responsible for telling us you require them and for the extra cost of these services, if you instruct our shippers to provide services beyond curbside deliveries. We are responsible for any additional services and charged for these services. We absolutely maintain our right to collect the costs of these charges for services we did not authorize or were prepaid for. We urge all customers to obtain special coverage and protection for their freight class shipments provided through our Freight Broker’s independent third party insurance coverage provider. In some cases it’s simply not needed, but on certain delicate shipments we have to insist upon it. Again the process is all designed to protect your investment and is an option offered for your protection.

MERCHANDISE PICK UP AND STORAGE


All our customers are welcome to come to our facility to pick up their purchases free of charge. You can expect friendly help in loading your purchase in your vehicle. We ask that you come ready to transport your purchase by having ample pads or blankets to protect your item in transit. We don’t like to send nice people off with things tied to roof racks. We also do not desire to charge storage fees, but we are holding some purchases for over three years now and are under no contract to. We are not a storage facility. We are happy to hold your items for a reasonable pre-agreed upon period. Beyond or absent any specified contract a $50.00 dollar per week storage fee will apply.

ON-LINE SALES/TERMS OF USE


All Massachusetts residents are subject to the 6.25% sales tax unless you possess a valid resale number from the Commonwealth of Massachusetts. We do not accept returns so please, ask all questions prior to submitting an offer or purchasing. We have a zero tolerance policy for non-paying buyers. Any offer we accept is a binding sale and subject to the conditions herein. Massachusetts General Law applies to all sales. Bidding on and purchasing any item is under the acknowledgment of the buyer and is consent to the contractual agreement set forth herein. This agreement is in full force and effect on any item purchased through our Ebay store and on items purchased through us and our gallery. We strive to make your on-line buying experience as easy and pleasant as possible. We accept all major credit cards and are delighted to answer any questions that you may have or provide services you may need

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 35246664778

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4.8 ★★★★★
Based on 1744 reviews
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A
Verified Purchase
angela
Belleville, US
★★★★★ 2
Not even a good read. Pass it.
Format: Paperback
Unfortunately, this book was basically a whole lot of nothing. It was not what I was hoping for, which was on the edge of your seat scary. It was not even alittle scary. Left me with unanswered questions and confused. Sorry..I did not like this book at all.
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Reviewed in the United States on March 6, 2026
J
Verified Purchase
Jennybee
Boise, US
★★★★★ 5
Easy to read and fall in love with
Format: Hardcover
one of those books that feels less like a story and more like an experience. Ray Bradbury captures the magic of summer, childhood, and all the little things in life we take for granted. I loved the way it blended nostalgia with those bittersweet moments of growing up. It’s slow at times, but that’s the beauty of it — it makes you stop and notice the small details, just like the characters do. For me, it felt like stepping back into a simpler time, but with all the emotions and lessons that still matter today. It’s warm, reflective, and beautiful. A book you don’t just read — you feel.
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Reviewed in the United States on September 20, 2025
K
Verified Purchase
Kindle Customer
Chelsea, US
★★★★★ 5
Vintage Bradbury
Format: Hardcover
Ray Bradbury August 22nd 1922 - June 5th, 2012 When Ray Bradbury died reactions came from everywhere including from President Obama. Surprising to me, few mentioned the one of his works that meant so much to me and affected my life so deeply. While he was most known to the general public for his science fiction, I found his mostly autobiographical novel Dandelion Wine to be the most impactful. At the same time it best illustrated Bradbury’s incredible command of the language, his ability to stir the imagination, and the way in which he could open windows on life. I couldn’t count the number of times I would reread a single sentence and become overwhelmed with admiration and envy at how he used words to create images in the mind’s eye. All this was particularly on display in Dandelion Wine and its sequel, Farewell Summer. For Bradbury, it couldn’t be just water. “Nothing else would do but the pure waters which had been summoned from the lakes far away and the sweet fields of grassy dew on early morning, lifted to the open sky, carried in laundered clusters nine hundred miles, brushed with wind, electrified with high voltage, and condensed upon cool air. This water, falling, raining, gathered yet more of the heavens in its crystals. Taking something of the east wind and the west wind and the north wind and the south, the water made rain and the rain, within this hour of rituals, would be well on its way to wine.” Essentially, Dandelion Wine is the story of a summer in the life of a twelve year old boy as he comes to understand what it means to be alive. But it is also a time capsule for the year 1928 of life in a small town when everyone’s world was much smaller and more compact. There is horror, love, comedy, wonder, nostalgia, and human relations. Bradbury could find unique ways to describe them all. I first read Dandelion Wine in 1957 when I wasn’t much older than Douglas Spaulding, the central character. It helped me put life in perspective as I was leaving high school. I read it the second time in the early ‘80s when I introduced my daughter to it. Kelly and I sat on our front porch swing one warm summer evening and I read aloud to her the story of Bill Forrester and Helen Loomis. It was all I could do to finish it and when I did we both had tears streaming down our cheeks. Such was the power of imagination and Bradbury’s ability to stroke it to life using just words. I read it the third time in preparation for reading the sequel, Farewell Summer, written 55 years after Dandelion Wine. Like a fine wine, it had only gotten better with age. Appropriately, Farewell Summer was given to me by Kelly and I read it on summer’s eve 2012. It was the perfect beginning for yet another summer. In both books the ravine in Green Town, Illinois, based on Waukegan, Illinois where Bradbury grew up was a central feature. I couldn’t resist going to Googlearth to see if the ravine was real. It was. And, it is still there even after Waukegan had changed from a small town to a satellite of Chicago. I was pleased to simply find I could locate it. But when I zoomed in and highlighted the little tree symbol I found the ravine is now Ray Bradbury Park. Perfect! Dan Winters June 29, 2012
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Reviewed in the United States on October 24, 2013
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BOB
Port Orchard, US
★★★★★ 4
One boy’s early awareness of magic and mortality
Format: Kindle
As part of my growing adolescent fascination with the work of Ray Bradbury, of course I read ‘Dandelion Wine’. However, it was one I have not revisited in almost 50 years so my recollection of it is less detailed than many of his other classic books. It’s a collection of interconnected short stories, some previously published, again set in Green Town, Illinois, the fictional counterpart for Waukegan, Illinois where Bradbury spent his first years up until the beginning of his adolescence. Many of his stories, whether they’re set in Green Town or some other anonymous Midwest town in the 20’s and 30’s resonated with me from the beginning. My father was born just a few months after Bradbury and grew up during that same time in another small town in Missouri, which I recall visiting a few times in my childhood and seeing a neighborhood not much different from Bradbury’s, and a house almost literally unchanged from the time when my father was a boy. That nostalgia, that yearning for the freshness and intensity of a child’s perception, when a boy will find magic in a birdbath and an earth-scented basement, definitely spoke to my soul and still does, 50 years later. The main character is a Ray surrogate, a twelve-year old boy named Douglas Spaulding (Bradbury’s middle name is ‘Douglas’) who has a ten-year old brother named Tom. They live with their parents, grandparents, and great-grandmother in an old house that is sturdy and roomy enough to accommodate a few boarders. One of the ‘beginning of summer’ rituals is the bottling of dandelion wine that will last the entire summer and beyond, at which point it will be a way of preserving what was memorable about the summer that just passed. ‘Hold summer in your hand, pour summer in a glass, a tiny glass of course, the smallest tingling sip for children; change the season in your veins by raising glass to lip and tilting summer in.’ During this particular summer, Doug fully realizes, for the first time, that he is alive and, conversely, that he will die. He holds mortality at bay as much as he can, with special sneakers in which he can run from one end of the town to the other and working out a clever bartering trade with the shoe salesman as a way to “buy” the sneakers. Doug could be a future salesman himself, persuading the salesman to try on a pair himself so he will know what he’s selling and how it actually feels to wear a pair. The future writer Doug also wants to document every significant event that happens to him this summer of 1928. His younger brother Tom, on the other hand, is more logical and reasonable. While Doug chronicles the events of the summer, Tom records data such as the first rainfall and other meteorological data. Tom also seems to me to be the wiser of the two, reasoning with and calming down the melodramatic Doug on more than one occasion. Everything in the town acquires new meaning to the otherwise carefree and playful Doug. There are discernible boundaries between civilization and wilderness in this little hamlet, the most notable example being the ravine: ‘The ravine was indeed the place where you came to look at the two things of life, the ways of man and the ways of the natural world. The town was, after all, only a large ship filled with constantly moving survivors, bailing out the grass, chipping away the rust.’ The death of his great grandma also occurs this summer. After a lifetime of activity and housekeeping and family keeping, she decides that she has lived long enough. She has no discernible ailment, just a “mild but ever-deepening tiredness”. She has to assure Doug and Tom that the time for doing all this activity has come to an end and that they must learn to accept it. Just as disturbing for Doug is when his best friend John Huff tells him that his father is being transferred to Milwaukee .His family is leaving on the train that evening. John is a budding young superman. He is a master pathfinder, swimmer, climber and jumper. He is also not a bully. He is kind as well as smart. As far as Doug is concerned, he is a god. For their last play activity, they play a game of hide-and-seek. Doug volunteers to be ‘it’, hoping by controlling the pace of the game to prolong John’s departure. John wraps that one up and agrees to play one more game, with him as ‘it’. With Doug and the other boys frozen into ‘statues’, John punches him on the arm gently, saying “So long” and then runs. There is even a serial killer in Green Town, referred to as The Lonely One. Young spinster Lavinia Nebbs and some of her friends are worried about the disappearance of another of their friends. Rumors of the Lonely One being on the loose abound with the deaths of two young women occurring within the past two months. With the disappearance of their friend they have ample reason to be concerned. Then they find her, lying dead on the ground. They find the police and, after he finishes questioning them, they are free to leave. Lavinia, putting on a brave front, suggests they go to a Charlie Chaplin movie to stave off their fear. This works pretty well until the film ends, the last feature of the night, and they all have to walk home in the dark. Lavinia, still trying to hide her fear behind a brave front, agrees to walk her friends home first, meaning that she’ll have to walk the rest of the way to her house by herself. Bradbury’s mastery of suspense is particularly evident in this chilling and terrifying episode. I won’t reveal the outcome. There is one episode in which Doug and Tom, primarily Doug, come to believe that a wax, fortune-telling “Tarot Witch” automaton is actually a mummified queen from ancient Egypt. In reality it is a slot machine in which you put in a penny and out comes a card with your fortune written on it. The alcoholic owner is disgusted with it and his failing slot and pinball machine business and ready to throw it in the trash heap. Doug and Tom attempt to rescue it. This sequence is long and tedious and has the effect of Tom and Huck rescuing Jim near the end of ‘Huckleberry Finn’. In both cases it’s an unwelcome diversion that detracts from the power of the novel. Overall, ‘Dandelion Wine’ works. It is not as disjointed as it seemed to me 50 years ago when I could detect the short story origins of much of it. Depicting the course of a summer is by its nature episodic. There are moments where it seems that everybody talks like Bradbury writes, even the semi-literate characters, and with a zeal and enthusiasm that gradually took over most of his later fiction. At its core, however, it captures, through a poetic filter, the magic and intensity of a child’s perception and his awareness that all this beauty surrounding us is fleeting so we may as well appreciate it as much as we can while we can.
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Reviewed in the United States on May 10, 2022
S
Verified Purchase
Steve_T_USA
West Palm Beach, US
★★★★★ 5
Vintage Bradbury Fantasy Is My Favorite
Format: Hardcover
DANDELION WINE is first and foremost the story of a 12 year old boy discovering that he is alive. I was lucky enough to read this gorgeous, perfect novel, wrapped in a library's dandelion yellow hardcover, the summer of my 12th year, in the small town of New Haven, Indiana, probably wearing my own pair of Red Ball Jets or Keds, lying in my living room as usual, curled up in a chair with the screen door open to let in the blustery summer wind and sun, with the lush green Indiana grass blowing in waves just outside. I understood what Bradbury was saying at age 12, an incredible thing in itself, since the themes here are fairly grown-up. Essentially, this book is about a boy flooded with the sudden realization of his own "aliveness", and never has a child's experience of innocent living been so perfectly, passionately illustrated. Douglas Spaulding lying in the grass, or feeling the keen pleasure and pain of carrying heavy laden buckets of self-picked berries out of the woods while the handles crease the insides of his hands. Douglas Spaulding discovering the wonder of a Number Two pencil, and the joy of rising early in the morning to watch his town come to life with the sunrise. Douglas Spaulding discovering that nothing makes a boy fly weightless through his summer vacation better than slipping his feet into the cool, cloudwrapped heaven of a new pair of tennis shoes. I found this book, at age 12 and several times since, to be an experience ranking with the most important books about human life that I have ever read. Bradbury sees so much, and conveys the experiences so clearly that one knows what Douglas and Ray know by the end. This is a book about passion and joy and being fully alive from moment to moment. It is a sonnet to and affirmation of childhood and innocence of such persuasive power that it has become a key volume of my core library. I don't expect everyone to have such a trascendent experience in the reading, and not everyone is fortunate enough to read this book at as perfect a moment as I did. But it is undeniable in its power and equal to the greatest work Ray Bradbury has produced, in my opinion. I was fortunate enough to meet him and thank him for it while at college. But this book has meant more to me than I could tell him. Give this to a boy you care about, or read it to evoke, soothe and elevate the child in you. It is pure poetry, Bradbury at the height of his powers, written with genius, on the vital topic of the nature of life. I can only say Douglas Spaulding has never left me. You may find him equally provocative.
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Reviewed in the United States on July 3, 2000

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